Expressionism in the Cinema
eBook - PDF

Expressionism in the Cinema

  1. 331 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Expressionism in the Cinema

About this book

One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico. An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.

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Yes, you can access Expressionism in the Cinema by Olaf Brill,Gary D. Rhodes in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Edinburgh University Press
Year
2016
eBook ISBN
9781474403269
Edition
0
Topic
Media & Performing Arts
Subtopic
Film & Video

Table of contents

  1. EXPRESSIONISM IN THE CINEMA
  2. Copyright
  3. Contents
  4. Illustrations
  5. Contributors
  6. TRADITIONS IN WORLD CINEMA
  7. Introduction
  8. 1. Expressionist Cinema— Style and Design in Film History
  9. 2. Of Nerves and Men: Postwar Delusion and Robert Reinert’s Nerven
  10. 3. Franjo Ledic: A Forgotten Pioneer of German Expressionism
  11. 4. Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920)
  12. 5. “The Secrets of Nature and Its Unifying Principles”: Nosferatu (1922) and Jakob von Uexküll on Umwelt
  13. 6. Raskolnikow (1923): Russian Literature as Impetus for German Expressionism
  14. 7. The Austrian Connection: The Frame Story and Insanity in Paul Czinner’s Inferno (1919) and Fritz Freisler’s The Mandarin (1918)
  15. 8. “The reawakening of French cinema”:
  16. 9. Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo
  17. 10. Drakula halála (1921): The Cinema’s First Dracula
  18. 11. Le Brasier ardent (1923): Ivan Mosjoukine’s clin d’oeil to German xpressionism
  19. 12. Nietzsche’s Fingerprints on The Hands of Orlac (1924)
  20. 13. “True, Nervous”: American Expressionist Cinema and the Destabilized Male
  21. 14. Dos monjes (1934) and the Tortured Search for Truth
  22. 15. Maya Deren in Person in Expressionism
  23. Index of Names
  24. Index of Film Titles