The New Romanian Cinema
eBook - PDF

The New Romanian Cinema

  1. 342 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The New Romanian Cinema

About this book

Covering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. Scholars from across Europe and North America are brought together, reflecting on the realism, minimalism and intermedial artifice of New Romanian cinemas, on its approaches to issues of national and gender identity, and on its unique convergence of ethics and aesthetics. With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.

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Yes, you can access The New Romanian Cinema by Christina Stojanova in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. THE NEW ROMANIAN CINEMA
  2. Copyright
  3. Contents
  4. FIGURES
  5. NOTES ON THE CONTRIBUTORS
  6. ACKNOWLEDGEMENTS
  7. Traditions in World Cinema
  8. Introduction
  9. PART I MODERNISM/MINIMALISM
  10. 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema
  11. 2. Minimalism in the New Romanian Cinema: absent, omnipresent, or misjudged?
  12. 3. No Melo: minimalism and melodrama in the New Romanian Cinema
  13. PART II INTERMEDIALITY/INTERTEXTUALITY
  14. 4. ā€˜Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu
  15. 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo
  16. 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films
  17. 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu
  18. PART III ETHICS/new aesthetics
  19. 8. Authenticity in New Romanian Cinema: ā€˜Ethics and Aesthetics Are One’
  20. 9. The square and the screen: theĀ ethical dimension of THE New Romanian Cinema
  21. 10. Beyond the Hills and Austerity Politics
  22. PART IV GENDER/GENRE
  23. 11. Woman Films: Body and Will
  24. 12. Traces of genre in New Romanian Cinema: a narrow path for a small entity?
  25. PART V NATIONAL/PLACE AND TRANSNATIONAL/SPACE
  26. 13. Kitchen Encounters: Scenes of Face-to-Face Dialogue in Films of the New Romanian Cinema
  27. 14. New Romanian Cinema: Geography and Identity
  28. 15. The ā€˜Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema
  29. PART VI OVERVIEW
  30. 16. Historical Overview
  31. COMBINED Bibliography
  32. Filmography of the New Romainian Cinema
  33. General Filmography
  34. Index of Authors and Film Titles
  35. Index of Terms and Concepts