
The American War in Viet Nam
Cultural Memories at the Turn of the Century
- 249 pages
- English
- PDF
- Available on iOS & Android
About this book
“We have been waiting for a book on war and memory about the American War in Vietnam—both about the Americans and the Vietnamese—in the new century of the Desert Wars of Afghanistan and Iraq. Susan Lyn Eastman has fulfilled that expectation, and she has done so with a study impressive in its range of topical issues, texts, and commentary.”—Philip D. Beidler, Margaret and William Going Professor of English, University of Alabama
After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions—from memorials and poetry to cinematic and fictional narratives—that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia.
Underpinning the book is the notion of “prosthetic memory,” which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America’s self-conception, specifically her coinage of the “New Vietnam Syndrome,” and the country’s role in world affairs when it comes to contemporary military interventions.
With the notable exception of the Veterans’ Memorial in Washington, Eastman’s focus is on works produced from the Persian Gulf War (1990–91) through the post-9/11 “War on Terror.” She looks not only at American representations of the war—from movies like Randall Wallace’s We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others—but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women’s Memorial and another to Sandie Frazier’s novel I Married Vietnam and Oliver Stone’s film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn’s Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war’s repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study.
SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.
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Information
Table of contents
- Contents
- Foreword G. Kurt Piehler
- Preface Reading of the Names Ceremony Thirtieth Anniversary of the Vietnam Veterans Memorial
- Acknowledgments
- A Note on Nomenclature
- Introduction Remembrance Beyond the Battlefield
- Chapter One Reflections of Memory Past and Presence and Present Absence at the Vietnam Veterans Memorial
- Chapter Two Poetic Remembrances at the Vietnam Veterans Memorial
- Chapter Three Remembering Servicewomen The Battle for the Vietnam Women's Memorial
- Chapter Four Civlian Women American and Vietnamese Married to Viet Nam
- Chapter Five Private Sites of American and Vietnamese Memory and Reconciliation in Viet Nam
- Chapter Six Forgetting the American War in Viet Nam We Were Soldiers
- Chapter Seven Unfinished Remembrance Beyond the United States and Viet Nam - Jessica Hagedorn's Dream Jungle and Francis Ford Coppola's Apocalypse Now Redux
- Chapter Eight Vietnamese American Diaspora Identity, Memory, and Repetition
- Chapter Nine Exit Strategy The New Vietnam Syndrome
- Afterword
- Notes
- Works Cited
- Index