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About this book
In this insightful new volume, Jack Chambers explores Edward Kennedy "Duke" Ellington's music thematically, collating motifs, memes, and predilections that caught Ellington's attention and inspired his restless muse. In presenting Ellington's work in this manner, Chambers situates the music in the context in which it was created—historical, political, musical, biographic, and personal. Chambers offers a novel kind of access to the man and the music.
Ellington's music presents a daunting task for listeners because of its sheer volume. The numbers defy credulity. Ellington (1899–1974) wrote more than two thousand compositions in numerous genres, including pop songs, big band swing, revues, hymns, tone poems, soundtracks, suites, ballets, concertos, and symphonies. Where to start? The themes in this book offer natural entry points. They provide the context in which the music came into being, with enough biography to satisfy music lovers, even those who come to the book knowing very little about Ellington's life. Each chapter features its own playlist as a guide to the music discussed, and, in some cases, fuller listings in case readers might want to pursue a topic further. In the early chapters, Chambers covers topics that occupied Ellington through much of his career, and in later chapters he covers more specific themes, some of them from Ellington's last decades, which are less well studied. The music, Ellington said, is his "continuing autobiography," and it reveals the man behind it.
Ellington's music presents a daunting task for listeners because of its sheer volume. The numbers defy credulity. Ellington (1899–1974) wrote more than two thousand compositions in numerous genres, including pop songs, big band swing, revues, hymns, tone poems, soundtracks, suites, ballets, concertos, and symphonies. Where to start? The themes in this book offer natural entry points. They provide the context in which the music came into being, with enough biography to satisfy music lovers, even those who come to the book knowing very little about Ellington's life. Each chapter features its own playlist as a guide to the music discussed, and, in some cases, fuller listings in case readers might want to pursue a topic further. In the early chapters, Chambers covers topics that occupied Ellington through much of his career, and in later chapters he covers more specific themes, some of them from Ellington's last decades, which are less well studied. The music, Ellington said, is his "continuing autobiography," and it reveals the man behind it.
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Yes, you can access A Tone Parallel to Duke Ellington by Jack Chambers in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Biographies. We have over one million books available in our catalogue for you to explore.
Information
Subtopic
Music BiographiesTable of contents
- Cover Page
- Title Page
- Copyright Page
- Contents
- Acknowledgments
- Introduction
- Abbreviations
- Chapter 1. Echoes of Harlem
- Chapter 2. Forty-Eight Years with the Duke on Trains
- Interlude 1—First Impressions of Duke Ellington Worlds and Years Apart
- Chapter 3. The Piano Player
- Chapter 4. Wordless Articulation
- Chapter 5. Ellington’s Music with Words
- Interlude 2—Musicians’ Impressions of Duke Ellington Years and Genres Apart
- Chapter 6. The Lotus Eaters
- Chapter 7. Accidental Suites: Duke Ellington’s Hollywood Scores
- Chapter 8. Ellington in the Global Village
- Interlude 3—Poets’ Impressions of Duke Ellington Ages and Styles Apart
- Chapter 9. Diamonds in a Glittering Heap
- Chapter 10. A Final Masterpiece, Reluctantly
- Chapter 11. The Missing Last Act of an American Composer
- Works Cited
- Index of People and Places
- Index of Compositions and Songs