Are You Dancing?
eBook - PDF

Are You Dancing?

Showbands, Popular Music, and Memory in Modern Ireland

  1. 290 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Are You Dancing?

Showbands, Popular Music, and Memory in Modern Ireland

About this book

From the mid-1950s to the mid-1970s, showbands were all the rage among Ireland's dancing audiences. Performing covers of rock 'n' roll and pop hits from American and British weekly Top 10 charts, they riveted their fans, dismayed many parish priests, and offered Irish youth a taste of modernism and pop culture from outside of Ireland.

In Are You Dancing?, Rebecca S. Miller tells the story of how these working-class bands brought new sounds and choreographies to the Irish and Northern Irish pop landscape. Both as a response to and an agent in Ireland's changing economic landscape, showbands quickly grew into a hugely lucrative commercial industry. At the same time, they nudged open doors for Irish women to take to the stage as pop stars, rewarded a generation of entrepreneurs, and created the template for Ireland's popular music industry. Miller draws upon interviews with more than 80 musicians, agents, managers, fans, and clergy, to reveal the vast interplay of social, economic, and cultural changes that ensued with the Irish showband era.

Drawing upon an extensive catalog of ethnographic and archival research, Miller presents an overlooked era of musical performances that revolutionized Irish entertainment.

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Yes, you can access Are You Dancing? by Rebecca S. Miller in PDF and/or ePUB format, as well as other popular books in History & Irish History. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Acknowledgments
  7. 1. Introduction Remembering the Showbands, Documenting Popular Music
  8. 2. “The Archbishop’s Quadrille” The Church, the State, Dance Bands, and CĂ©ilĂ­s, 1925 to 1955
  9. 3. Origins “The Band That Does the Show”
  10. 4. “Traveling Jukeboxes” Imitation, Translation, and Irishness
  11. 5. “Blarney Sounds” Making and Marketing the Showband Industry
  12. 6. Builders, Promoters, Managers, and Priests Profiles of Showband Entrepreneurs
  13. 7. “Aching the Notes” and Challenging the Industry Negotiating Gender on the Showband Stage
  14. 8. Hucklebucking across the Waters Irish Showbands in Diaspora
  15. 9. The End of the Showband Era
  16. References
  17. Index