Fandom for Us, by Us

The Pleasures and Practices of Black Audiences

Alfred L. Martin, Jr.

• Publisher: NYU Press
• Year: 2025
• Print ISBN: 9781479824922
• eBook ISBN: 9781479824939
• Topic: Social Sciences
• Subtopic: Media & Communications Industry
• Index: Social Sciences

The convergence of the politics of representation and Black fan cultures

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the "four C's": class, clout, canon, and comfort.

Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves.

Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.

Table of contents

• Cover
• Half Title
• Series Page
• Title Page
• Copyright
• Contents
• Introduction: Fandom: Now in Black!
• 1. Class: Misty Copeland, Distinction, and Black Fandom
• 2. Clout: Black Panther, Doing It for the Culture, and Black Fandom
• 3. Canon: The Wiz, Interpretive Communities, and Black Fandom
• 4. Comfort: The Golden Girls, Resonance, and Black Fandom
• Conclusion: Fandom for Us
• Appendix: Interview Questions
• Acknowledgments
• Notes
• Index
• About the Author