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About this book
Cole Porter (1891–1964) remains one of America's most popular composer-songwriters, known for the many urbane, witty, romantic songs he wrote for stage musicals and Hollywood films. Porter was unique among his contemporaries for writing both the music and lyrics for his compositions. To this day, several of his numbers—"Night and Day," "I've Got You Under My Skin," "You're the Top," and "I Get a Kick Out of You," to name a few—endure as standards.
In The Musicals of Cole Porter: Broadway, Hollywood, Television, Bernard F. Dick presents a critical study of Porter's Broadway and movie musicals, and his one foray into live television, Aladdin—covering the period from his first failure, See America First (1916), to the moderately successful Silk Stockings (1955), which ended his Broadway career. Taking a chronological approach, interspersed with chapters on Porter's "list songs" that owe much to such operas as Mozart's Don Giovanni and Rossini's The Barber of Seville; his love songs, often bittersweet and bleakly poignant; and, above all, his love of figurative language, Dick discusses in detail the various literary sources and cultural reference points that inspired the lyrics to Porter's numbers. The first volume of its kind exclusively dedicated to exploring the extensive body of work by this influential twentieth-century songwriter, The Musicals of Cole Porter is a compelling resource for readers interested in the craft of a great composer-lyricist.
In The Musicals of Cole Porter: Broadway, Hollywood, Television, Bernard F. Dick presents a critical study of Porter's Broadway and movie musicals, and his one foray into live television, Aladdin—covering the period from his first failure, See America First (1916), to the moderately successful Silk Stockings (1955), which ended his Broadway career. Taking a chronological approach, interspersed with chapters on Porter's "list songs" that owe much to such operas as Mozart's Don Giovanni and Rossini's The Barber of Seville; his love songs, often bittersweet and bleakly poignant; and, above all, his love of figurative language, Dick discusses in detail the various literary sources and cultural reference points that inspired the lyrics to Porter's numbers. The first volume of its kind exclusively dedicated to exploring the extensive body of work by this influential twentieth-century songwriter, The Musicals of Cole Porter is a compelling resource for readers interested in the craft of a great composer-lyricist.
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Yes, you can access The Musicals of Cole Porter by Bernard F. Dick in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
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MusicTable of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Introduction
- Chapter 1: Following His Fancy: See America First, Hitchy-Koo of 1919, Greenwich Village Follies, and Paris
- Chapter 2: The List Song: Wake Up and Dream, Fifty Million Frenchmen, and The New Yorkers
- Chapter 3: Ça c’est l’amour: The Cole Porter Love Song
- Chapter 4: La vie est gai: Gay Divorce
- Chapter 5: An Errant Nymph and an Ex-Evangelist: Nymph Errant and Anything Goes
- Chapter 6: A Cole Porter Primer: Prosody and Figurative Language
- Chapter 7: Strange Bedfellows: Cole Porter and Moss Hart’s Jubilee
- Chapter 8: Triple Threat: Ethel Merman, Jimmy Durante, and Bob Hope in Red, Hot and Blue
- Chapter 9: 1938, A Year to Remember—You Never Know and Leave It to Me
- Chapter 10: Porter’s Bawdy: Du Barry Was a Lady
- Chapter 11: The War Years: Panama Hattie, Let’s Face It!, Something for the Boys, and Mexican Hayride
- Chapter 12: Strange Interludes: Seven Lively Arts and Around the World
- Chapter 13: Journey’s End: Kiss Me, Kate
- Chapter 14: Regards to Broadway: Out of This World, Can-Can, and Silk Stockings
- Chapter 15: Porter in Hollywood
- Chapter 16: A Less-Than-Grand- Finale: Aladdin
- Epilogue
- The Musicals of Cole Porter (1891–1964)
- Notes
- Index
- About the Author