Apes and Monkeys on the Early Modern Stage, 1603–1659
eBook - ePub

Apes and Monkeys on the Early Modern Stage, 1603–1659

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Apes and Monkeys on the Early Modern Stage, 1603–1659

About this book

This book is the first full-length study of apes and monkeys on the early modern stage. It broadens the scope of existing scholarship by situating the apes glimpsed in Shakespeare's plays in the wider context of the many uncelebrated uses by other playwrights, c. 1603-1659. The book investigates the theatrical appearances of real monkeys, actors dressed up as apes, and characters mistaken for them, arguing that the ape trope is so insistent in early modern drama that it becomes a structural metaphor. It addresses both plays and masques across the period, arguing that the ways of seeing in these different kinds of theatre make apes mean differently in their generic contexts. Grounded in historicist readings, this book also draws significantly on the field of ritual studies and the new intersectional discipline of animal performance studies.

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Yes, you can access Apes and Monkeys on the Early Modern Stage, 1603–1659 by Teresa Grant in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism in Drama. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Front Matter
  3. 1. The Renaissance Animal: Critics and Contexts
  4. 2. The Renaissance Monkey
  5. 3. ‘Somewhat Like A Man’: Apes, Boy Players, Women
  6. 4. Vir-tue: Being a Man
  7. 5. Bacon’s Antimasquing Baboons
  8. 6. The Memorable Masque, 1613
  9. 7. Beaumont and Fletcher (with Shakespeare)
  10. 8. Apes, Indigeneity and the Early Modern Travel Narrative
  11. 9. A Brace of Court Apes: James Shirley’s Masques
  12. 10. ‘Sir William and His Apes’: Davenant, Monkeys and the Staging of Disorder
  13. 11. The End of the Antique Measures
  14. Back Matter