Since its 1967 production of Vanbrugh's The Relapse, the Royal Shakespeare Company has been the world's leading producer of Restoration Comedies. This book is the first to document and critique the company's history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC's explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.
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Subtopic
Modern Literary CriticismTable of contents
- Cover
- Front Matter
- 1. Introduction
- 2. Twin Custodians?
- 3. Spaces and Practices
- 4. Performance History
- 5. A Manifesto
- Back Matter
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Yes, you can access Staging Restoration Comedy by David Roberts in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Modern Literary Criticism. We have over 1.5 million books available in our catalogue for you to explore.