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About this book
This book argues that E. M. Forster, T. S. Eliot, and Virginia Woolf engaged sustainedly with real and imagined places as sites of counter-cultural politics. These writers used architectural images in diaries, essays, novels, poems, and plays to express their dissatisfaction with imperial London: from the glorification of war to the erosion of local religious and linguistic traditions, and rigidly gendered practices in domestic and public life. Drafty Houses shows that each author experienced post-war modernity as intimate spatial dislocationâin Egypt (Forster), in the church (Eliot), or in London's museums and streets (Woolf)âand traces connections between their personal experiences and lesser read publications to theorize about the impact of places on their writerly perspectives. By closely examining each author's negotiation of space symbolic of Englishness, empire, and global politics, Drafty Houses considers the limitsand the open-ended possibilities of liberal humanism, Christian conservatism, and feminist pacifism.
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Table of contents
- Cover
- Front Matter
- 1. âQuis hic locusâ: Spatial Critical Theory in Modernist London
- 2. Spatial Renovations and Forgetting As Memorialization in Forsterâs Global Imaginarium
- 3. Stage Spaces and T. S. Eliotâs Exits from Secular Modernity
- 4. Drafty Houses, Imperial Boredom, and Collecting in Woolfâs Lumber Room
- 5. Conclusions About Elsewheres
- Back Matter