
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This open access book seeks to explain how the literary commentary of the Lives of the Poets speaks to us today because of its ethical goals. Edward Tomarken elucidates this element of Johnson's literary criticism by using Ralph Cohen's genre method, the topic of Chapter One, "Why Genre". Chapters two to five address the most prevalent genres of the Lives: tragedy, metaphysical poetry, the epic, the pastoral elegy, and the mock epic. Chapter six considers the rise of literary criticism as a genre. Chapter Seven demonstrates how ethical genre criticism relates literature to life. And the final chapter explains why, although Johnson considers 'moral' and 'ethical' as nearly interchangeable terms, Tomarken prefers 'ethical' because it relates genre criticism to present problems in literary and non-literary worlds.
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Table of contents
- Cover
- Front Matter
- 1. Why Genre
- 2. A Literary-Critical Tragedy: The Interpretive Turn in the Life of Savage
- 3. Metaphysical Poetry and Pastoral: Genre in Relation to Value Judgements and History
- 4. Genre Combination and Interpretation Johnson on Paradise Lost
- 5. Genre and Periodization: Macro- and Micro-history in the Life of Garth
- 6. The Rise of Literary Criticism as a Genre
- 7. Life and Literature
- 8. Conclusion: Ethical Value Judgements
- Back Matter