
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Using concrete examples, the authors analyse what it means to think through the image, explain the different phases of making a sociological documentary, and question, through sociological film, the representations of reality and, more specifically, what remains invisible in the social world. The result is a reflective look at the theories and practices presented, to better equip the sociologist-filmmaker.
Illustrated with numerous photographs that mark the history of documentary photography and film, the book is intended for both teachers-researchers and students in all disciplines of the humanities and social sciences who practice video and photography or wish to discover their uses. Students in documentary and film schools, as well as students on information and communication programs will also benefit from the book.
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Information
Table of contents
- Cover
- Front Matter
- 1. Introduction
- 2. The Approach of Filmic Sociology
- 3. From Ethnologist Photography to Filmic Sociology
- 4. Cinema and Sociology: A Promising Hybridization
- 5. Cinema Enhances Sociological Questions
- 6. Showing the Invisible in the Sociological Documentary
- 7. Conclusion
- Back Matter