Character and Caricature, 1660-1820
eBook - ePub

Character and Caricature, 1660-1820

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Character and Caricature, 1660-1820

About this book

This edited collection offers a reappraisal of character as a precondition for caricature and addresses how the two began to merge, becoming increasingly interlinked over the course of the long eighteenth century. It emphasises the need to understand character more fully, arguing that the nuances and origins of caricature can only be appreciated in light of the genre's prehistory and reliance on popular character types. Interdisciplinary and multidisciplinary in approach, the collection makes use of a variety of theories and addresses fiction in its broadest sense, expanding and reconceptualising critical, historical and theoretical discussion of character. Chapters draw from disability studies, cultural materialism, gender studies and the history of sexuality, spatial theory and performance studies.

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Yes, you can access Character and Caricature, 1660-1820 by Jennifer Buckley,Montana Davies-Shuck in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Introduction: Configuring Character and Caricature
  4. 2. Libertine Character and the Caricature of Debility
  5. 3. Ninny-broths, Sirreverence, and a Place for Hell: Character Sketches of the Coffeehouse
  6. 4. “Our satirists prove such very slaughter-men”: The Character of the Satirist in Eighteenth-Century Print
  7. 5. Aping the French: Foppish Masculinities in the Eighteenth Century
  8. 6. “himself is as great a curiosity as any in his collection”: Gender, Curiosity, and the Collector as a Character
  9. 7. The Thrill of the Chaise: Gendering the Phaeton in Eighteenth-Century Literary and Satirical Culture, c.1760–1820
  10. 8. Staging the Face of De Monfort: Joanna Baillie and the Development of Dramatic Character in De Monfort
  11. 9. Afterword: “I leave my Character behind me”
  12. Back Matter