Japanese Cinema and Punk
eBook - PDF

Japanese Cinema and Punk

Intermedial Exchanges

  1. 265 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Japanese Cinema and Punk

Intermedial Exchanges

About this book

In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan's film industry.

Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film)
tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shin'ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street performance, handmade animation, television, and other mass media.

By considering the practical, phenomenological, and political ramifications of combining diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson's Garden (1987), Tetsuo: The Iron Man (1989), and more. He further traces the changing sociocultural position of Japan's punk generation throughout the 1980s-from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.

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Yes, you can access Japanese Cinema and Punk by Mark Player in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half Title
  3. Series Page
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Contents
  8. Figures
  9. Acknowledgements
  10. Note on Japanese Text and Translation
  11. Introduction: Anarchy in Japan
  12. Chapter 1: Apathy and Atrophy: The emergence of Japan’s punk generation
  13. Chapter 2: Synergies and Analogues: Exchanges between self-made film and punk
  14. Chapter 3: Liberation and Capitulation: Burst City and the politics of musicality
  15. Chapter 4: Placemaking and Resistance: The competing mediascapes of Robinson’s Garden
  16. Chapter 5: Assimilation and Synthesis: Tetsuo: The Iron Man and the intermedial (cyber)punk body
  17. Chapter 6: Space and Feeling: The explosive sound of Pinocchio 964
  18. Notes
  19. References
  20. Works Cited
  21. Index