
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The Odeon, a new volume of essays by the celebrated poet and critic Daniel Tobin, takes its title from the classical Greek and Roman buildings designed for the presentation of musical and poetic compositions. Organized around the question of "sensibility"âwith its various social, philosophical, and aesthetic connotationsâthe collection presents a sequence of related essays exploring both resonances and dissonances in the traditions of modern and contemporary poetry. Although Tobin surveys a broad spectrum of worksâranging from John Donne and Emily Dickinson to writers from the twenty-first century such as Mark Doty, Louise GlĂźck, and Carl Phillipsâhis emphasis remains on details of poetic practice, technique, metaphysical outlook, and artistic aspiration.What most informs these essays is Tobin's own practice as a poet, his own sensibility, which is at once eclectic and yet very much calibrated to matters of what one theologian termed "ultimate concern." The Odeon offers an incisive foray into the state of the art of poetry in our time.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Dedication
- Contents
- PREFACE
- The Odeon, or, Singing and Sensibility
- John Donne and the Odeon
- Whatâs Donne Isnât Done: On Ideas of Order and the Machinery of Poetry
- Ancient Salt, American Grains: On the Poet as Scavenger
- One Arc Synoptic: Plot, Poetry, and the Span of Consciousness
- Forms after Forms: On Metamorphosis and Improvisation
- âHello, I Must Be Goingâ: The Poetry of Farewell
- Writing for the Dead
- Lamentation, Poetry, and the Double Life
- ACKNOWLEDGMENTS
- NOTES
- WORKS CITED
- INDEX