Rereading Musicians and Their Audiences
eBook - PDF

Rereading Musicians and Their Audiences

Popular Music Autobiographies

  1. 305 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Rereading Musicians and Their Audiences

Popular Music Autobiographies

About this book

Using a radical and inclusive definition of the genre, this collection explores musicians' autobiographies as articulated in print, on stage, and through various expressive media as a dynamic factor in contemporary culture.

Popular musicians' autobiographies are one of the most important ways that stars create, negotiate and perpetuate the realities and myths of their lived experiences for fans. Autobiographical creations such as Bruce Springsteen's book Born to Run, Kendrick Lamar's lyrics, ABBA's virtual Voyage show, and the reimaginings of Lennon and McCartney's childhood homes have been both critically acclaimed and lucrative, whilst delivering for many fans an apparent insider's understanding of musicians whose work they are invested in. Yet such narratives have many other functions beyond thrilling their consumers with a sense of intimacy. The pop music autobiographies discussed here variously attempt to rewrite social history; to redress gender or racial stereotypes; to question received models of fame; to validate new genres and scenes; to explore complex subjectivities; to justify or atone for transgressive behaviour; and to critique the music industry.

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Yes, you can access Rereading Musicians and Their Audiences by Tom Attah,Kirsty Fairclough,Christian Lloyd in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Literary Criticism History & Theory. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Half Title
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Contents
  6. Acknowledgements
  7. Introduction: New selves, new stories, new scenes
  8. Part I: Navigating personal and cultural histories
  9. Part II: Experimental, multimodal, and digital narratives
  10. Part III: Cultural memory and legacy: Musicians and their posthumous or rematerialized lives
  11. Part IV: Performance, identity, and self-representation in music
  12. Contributors
  13. Index