
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Illuminates the interplay of gender, fashion, and nationalism in Victorian literature and culture.
Dressing for England argues that women's interest in fashionable clothingâin dress that appealed to a sophisticated, cultured, and continental societyâwas viewed in two ways in nineteenth-century England: as a superficial feminine habit, on the one hand, and, on the other, as a dangerous tool women used to control how they were perceived. Dress could be a means of not only conveying extravagance or beauty but also influencing society at home and expressing Englishness aboard. Victorian women turned the world of fashion into an arena of feminine power. Reading well-known novels by Gaskell, Thackeray, and Eliot alongside clothing and cultural ephemera, Dressing for England shows how evolving fashionsâshawls, crinolines, turbans, corsets, hatsâreflected shifting notions of class, gender, and Empire and enabled women to shape both their own identities and national consciousness.
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Information
Table of contents
- Cover
- Title
- Copyright
- Contents
- List of Illustrations
- Acknowledgments
- Introduction Ladiesâ Business, Feminine Weakness, Fashionable Dress
- Chapter One âThat Wicked Parisâ: Elizabeth Gaskell Fashions the Good Englishwoman
- Chapter Two William Thackerayâs Fashionable Humbugs and Unfashionable Darlings: Consuming National Distinctions of Dress
- Chapter Three âThe Will and Pleasure of Womenâ: The Feminine Love of Fashion in George Eliotâs Middlemarch
- Chapter Four âNow Sheâs All Hat and Ideasâ: Fashioning the British Suffrage Movement
- Conclusion To Have and to Wear: National Distinctions of Dress in Royal Weddings
- Notes
- Works Cited
- Index
- Back Cover