
Sexuality, Nudity and the Body in Soviet Cinema
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Sexuality, Nudity and the Body in Soviet Cinema
About this book
This book explores evocations of and allusions to sexual desire in Soviet cinema, 1919–1991.
By deploying several lines of investigation – from the cult of the masculine, strong body in Stalinist cinema to the shifting signification of the naked body (male and female) in post-war cinema and to the display of a sexualised body in the late Soviet era – this book establishes the extent to which Soviet cinema actually did reveal sexuality. It also explores how external political and social factors impacted representation. Overall, the contributions challenge the narrative of Soviet cinema as an art form where the representation of sexuality was taboo and outline shifts in the concepts of the naked and sexualised body, of sexuality and sexual relationships.
This book will be of interest to scholars and researchers in the field of film studies, Slavic and Soviet studies, cultural studies, politics and gender studies.
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Information
Table of contents
- Cover
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- List of Figures
- List of Contributors
- Acknowledgements
- Notes on transliteration
- Disclaimer
- Introduction: New ventures on sexuality, nudity and body culture in Soviet cinema
- Part 1 Body culture in early Soviet and Stalinist cinema
- Part 2 Bodies in revolution
- Part 3 Shifting body cultures
- Part 4 Body politics
- Index