
Poetry and Song in Late Eighteenth Century Germany
A Study in the Musical Sturm Und Drang
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Poetry and Song in Late Eighteenth Century Germany
A Study in the Musical Sturm Und Drang
About this book
The German Lied in the period preceding Mozart is less well-known than that of the florescence under Schubert, Schumann and Wolf. But in Poetry and Song in Late Eighteenth Century Germany (originally published in 1985) Margaret Stoljar shows that the songs composed by C.P.E. Bach and his contemporaries have an interest and allure of their own. She concentrates her analysis on the interplay of poets and musicians, the use made by composers of the work of such distinguished poets as Klopstock, and the specific contribution that music was able to make to the reception of the poetry.
As much a work of social history as of musicology, Poetry and Song in Late Eighteenth Century Germany casts a fascinating light on the leisure of the period and place, as well as on the development of taste and sensibility that prepared the way for Young Werther. The book is illustrated with examples of music.
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Information
Table of contents
- Cover Page
- Half Title page
- Title Page
- Copyright Page
- Original Title Page
- Original Copyright Page
- Contents
- List of Musical Examples
- Dedication
- Preface
- Introduction: Performance As An Historical Category
- 1. The Use of Poetry and the Use of Song
- 2. Singing and Playing in 1770
- 3. First Settings of Klopstock: C.P.E. Bach and Gluck
- 4. Sturm Und Drang in Musical Style: C.G. Neefe
- 5. The Flowering of the âgesellschaftsliedâ: Johann AndrĂ©
- 6. J.A.R Schulz and the âvolkstonâ
- 7. J.F. Reichardt and the Triumph of Sentiment
- Bibliography
- Index