
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This is the first book to focus on writing by black British women writers, using an approach that highlights the potential of this fiction to intervene into discourses that shape the worlds in which it is situated.
Reading to Resist: Contemporary Black British Women's Writing undertakes a close, innovative reading of the novels selected, one that focuses on the texts' aesthetics as well as their thematic engagement with the worlds of their readers and the worlds the texts themselves construct. Each chapter examines themes such as freedom and agency, moral understanding, and history, while also exploring issues of importance to the contemporary period such as well-being, success, and achievement. Reading to Resist: Contemporary Black British Women's Writing covers a broad range of texts including the work of internationally acclaimed writers such as Nadifa Mohamed, Zadie Smith, Diana Evans and Buchi Emecheta, as well as work by much less well-known writers such as Jacqueline Walker, Yvvette Edwards, and Jacqueline Roy.
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Information
Table of contents
- Cover
- Half Title
- Series
- Title
- Copyright
- Dedication
- Contents
- Acknowledgements
- Introduction
- 1 Resisting Voicelessness: Contemporary Black British Womenâs Autobiography
- 2 Wrongdoing and Repair in the Work of Yvvette Edwards, Zadie Smith, and Nadifa Mohamed
- 3 âSaying Madnessâ: Jacqueline Royâs The Fat Lady Sings and the Fiction of Diana Evans
- 4 Parting the Veil, Re-writing, and Re-purposing the Past: Laura Fishâs Strange Music and Sara Collinsâs The Confessions of Frannie Langton
- 5 Mobility, Achievement, and Failure: Buchi Emechetaâs Head above Water, Zadie Smithâs NW, Swing Time, and Natasha Brownâs Assembly
- 6 Conclusion
- Index