Lyric Generations

Poetry and the Novel in the Long Eighteenth Century

G. Gabrielle Starr

• Publisher: Johns Hopkins University Press
• Year: 2015
• eBook ISBN: 9781421419114
• Topic: Literature
• Subtopic: English Literary Criticism
• Index: Literature

Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry.

In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice.

Table of contents

• Cover Page
• Title Page
• Copyright Page
• Dedication
• Contents
• Acknowledgments
• Introduction
• 1 Clarissa and the Lyric
• 2 Modes of Absorption: Lyric and Letter in Behn, Haywood, and Pope
• 3 Lyric Tensions: Sympathy, Displacement, and Self into the Midcentury
• 4 Rhetorical Realisms: Chiasmus, Convention, and Lyric
• 5 The Limits of Lyric and the Space of the Novel
• 6 The Novel and the New Lyricism
• Notes
• Bibliography
• Index