
Documents of Irish music history in the long nineteenth century
- 281 pages
- English
- PDF
- Available on iOS & Android
Documents of Irish music history in the long nineteenth century
About this book
This volume presents extracts from a number of documents from the long nineteenth century that pertain to the history of music in Ireland.The documents fall into one of three categories: musical notation, text, image. Each chapter contains a copy of a document (or an extract) along with an essay that provides context, explanation and interpretation. The editors have sought to represent a broad range of documents that address aspects of the history of music in Ireland: social history; the economics of musical life; performance practice; musical taste and repertoire; theory and aesthetics; the historiography of Irish music history; national identity, the traditional repertoire. The Irish Musical Studies series is published in association with the Society for Musicology in Ireland.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- The Irish Musical Studies series
- Title page
- Copyright page
- Table of contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction: Documents of Irish music history inthe long nineteenth century
- Thomas Moore, ‘Letter on Music’ (1810)
- Newspapers, music and politics in 1840s Dublin: a case study in bias, editorial style and selective reporting
- ‘An Apology for Harmony’ (1841): context and authorship
- Richard Michael Levey, 'Annals of the Theatre Royal, Dublin' (1880)
- James Cooksey Culwick, 'The Rudiments of Music' (1882)
- Transformations of performance and participation inthe early céilÃ, 1897–8
- Four part-books of the Galway Regiment of Militia,1793–1816
- Ignaz Moscheles’ 'The Recollections of Ireland' (1826): a virtuoso’s souvenir
- The Irish music manuscripts of Henry Hudson
- Heinrich Bewerunge and the art of plainchant accompaniment
- The musical manuscripts of Michele Esposito: some new evidence
- ‘for the support of decayed musicians and their families’: the papers of the Irish Musical Fund Society, 1787–1979
- ‘Music masters’ and ‘musicianers’: census records and Irish music history, 1821–1911
- ‘Mad[am]e Stockhausen was not at Rehearsal – but why not?!’: Sir George Smart’s perspective on theDublin Grand Musical Festival of 1831
- ‘Dublin can still justly boast of being a music-loving city’: Joseph Holloway and operain Dublin, 1880–1922
- Sir Hamilton Harty: a nineteenth-century Irish musician in twentieth-century Britain
- Index