Embodying Transformation
eBook - PDF

Embodying Transformation

Transcultural Performance

  1. 234 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Embodying Transformation

Transcultural Performance

About this book

The essays in this collection explore transcultural events to reveal deeper understandings of the dynamic nature, power, and affect of performance as it is created and witnessed across national and cultural boundaries. Focusing on historical and contemporary public events in multiple contexts, the book's contributors offer readings of transcultural exchanges between European, Asian, African, and Middle Eastern countries, as well as colonizers and colonists, to colonized peoples and back again. In the process, the book explores questions around issues of aesthetics, cultural anxieties, cultural control, and the effect of intentions on practice. *** Librarians: ebook available on ProQuest and EBSCO (Series: Performance Studies) [Subject: Performance Art, Cultural Studies]

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Yes, you can access Embodying Transformation by Maryrose Casey in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Performing Arts. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Preliminaries
  2. Introduction
  3. Images
  4. Chapter 1. Arcadian scenes: Bougainville, Banks and theatrical perception in the South Pacific
  5. Chapter 2. ‘Notorious’ mimics: Mimetic performance for entertainment in the transcultural encounter in colonial Australia
  6. Chapter 3. Embodied re-imaginings: Greek tragedy, Nietzsche and German expressionist Theatre
  7. Chapter 4. Reciting Chekhov in Canada
  8. Chapter 5. Christoph Schlingensief’s ‘Hamlet’ in Switzerland: A theatrical ‘resocialisation’
  9. Chapter 6. Here be Taniwha: Performance research on the edge of the world
  10. Chapter 7. Re-framing Pākehā narratives: Interweaving Māori-ness into performances of two plays by Gary Henderson
  11. Chapter 8. In a fresh hue: An adaptation fo Chaturanga
  12. Chapter 9. From Naga Wong to The Message: The intercultural collaboration and transformation of Makhampom’s contemporary likay performance
  13. Chapter 10. Making space for international students: In Your Own Words
  14. Chapter 11. Reading Islamic Identity in Contemporary Performance Art and Reconsidering the Secular Lens of Western Performance Praxis
  15. Chapter 12. Anti-transcultural performance: Flashmobbing the Cape Town Opera’s production of Porgy and Bess
  16. Author Biographies
  17. Back cover