
- 227 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Nascent Filmmakers in Hong Kong, 2000–2020
About this book
This book is an interdisciplinary study of the commerce–art–politics nexus of Hong Kong cinema from 2000 to 2020, investigating the current nascent generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/mainland co-productions. Fangyu Chen explores the filmmaking ideologies of the emerging filmmakers from both within and beyond their film texts and uncovers the artistic and ideological discrepancies between this generation and their predecessors—the established generation who contributed to the glory days of Hong Kong cinema during its economic boom. By tracing the studies of national cinema and transnational cinema, Chen debunks the national/transnational antagonism with the case of post-2000 Hong Kong cinema and argues that it has split into two: a transnational cinema represented by the established generation of filmmakers and a national cinema that is driven by the nascent generation who are struggling for better preservation of Hong Kong local culture and their own cultural identities. Employing a Hong Kong/mainland film dynamics perspective, this study addresses a gap in the academic study of Hong Kong cinema, drawing attention to the material conditions and artistic visions of the craft labour in the industry. Scholars of communication, film studies, and labor economics will find this book of particular interest.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Nascent Filmmakers in Hong Kong, 2000–2020 by Fangyu Chen in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Communication Studies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Preface
- Acknowledgments
- Introduction
- The Post-2000 Nascent Generation of Filmmakers in Hong Kong
- Framework and Research Scope Elucidated
- Getting to Know Them
- Two Generations of Filmmakers
- Causes, Questionings, and Speaking of Hong Kong Cinemas in the Plural
- Nascent Film Workers and Their Work in Post-2000 Hong Kong
- Creative Labour and Hong Kong Film Labour Market after 2000
- Unions, Film Education, and Female Filmmakers in Post-2000 Hong Kong
- Under the Shade of China
- Post-Handover Film Policy in Hong Kong
- Cultural Policy Revisited and Four Contradictions in Film Policy Making
- Film Policy Here and There
- Conclusion
- Appendix
- Bibliography
- Index
- About the Author