
- 263 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Race, Representation, and Satire
About this book
Race, Representation, and Satire examines the role of humor, sarcasm, and parody in providing audiences with insight into race and racism in contemporary media through an analysis of representations of race and ethnicity in texts, online content, television shows, and comedy routines. Contributors argue that while many minoritized groups continue to be targeted by stereotypes and myths that have lingered for centuries, satire and comedy can be powerful tools for reversing harmful narratives and generating accurate, authentic, and inclusive representations. Scholars of media studies, popular culture, rhetoric, and race will find this book particularly useful.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Race, Representation, and Satire by Christopher P. Campbell in PDF and/or ePUB format, as well as other popular books in Social Sciences & Media Studies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Introduction
- Part I: Satire as Opposition
- Chapter 1: Atonement: What Reparations and Racial Justice Look Like on Atlanta
- Chapter 2: #ColoradoBorderWall: Mimetic Discourse as Emancipation
- Chapter 3: Reservation Dogs, Visual Sovereignty, Performative Indigeneity, and the Cultural Imperative of Native American-Produced Media
- Chapter 4: “Voldemort under My Headscarf”: The Oppositional Muslim Gaze of We Are Lady Parts
- Chapter 5: Class is in Session: Abbott Elementary’s “Step Class” and the Oppositional Gaze as Counter-Hegemonic Practice
- Chapter 6: Squid Game: South Korea’s View of Itself and the West
- Chapter 7: Alternative Media Representations: An Outsider’s Construction of Race on The Daily Show with Trevor Noah
- Part II: Satire, Challenges, and Missed Opportunities
- Chapter 8: Just Jokes? Dave Chappelle’s The Closer and the Intersectional Challenges of Satire
- Chapter 9: Latin History for Morons: Comedic Revisions and Race in the Work of John Leguizamo
- Chapter 10: Guess Who’s Muslim: Using Satire to Show What “Islam Truly Is”
- Chapter 11: The Case of Kim’s Convenience: Cause for Celebration or a Cautionary Tale?
- Chapter 12: Missed Opportunities: Discursively Dismantling the Hyper-Wokeness of the Sitcom Community
- Chapter 13: “Polo, Small but Tough”: Arab and Muslim Representations in a Volkswagen “Commercial”
- Index
- About the Contributors