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About this book
Israel G. "Izzy" Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young's first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young's typewriter. Young would also stage Dylan's first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son House, and Mississippi John Hurt.
The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular column "Frets and Frails" for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by offering Young's detailed, day-by-day accounts. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.
The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular column "Frets and Frails" for Sing Out! Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by offering Young's detailed, day-by-day accounts. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.
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Yes, you can access The Conscience of the Folk Revival by Scott Barretta in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Folk Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- Series Editorâs Foreword by Ronald D. Cohen
- Foreword by Israel âIzzyâ Young
- Preface
- Introduction
- Part I: Early Writings
- A New Secret History of Folklore U.S.A., February 1957
- Predictions of the Folklore Center for the Future
- A Modest Plea to Prevent the Connotations of Folknik in America from Becoming a Burden to Its Author and for Making It Beneficial to the Public
- Newport Folk Festival
- Folk Music Guide * USA
- Excerpts from Izzy Youngâs Notebooks
- Part II: Frets and Frails
- Frets and Frails
- Part III: Other Writings and Interviews
- Folk Music Was Bigger Than the Bronx: A Dialogue with Israel Young
- The Folklore Centerâs Gripe about MacDougal Street
- âIsrael Young . . . The Music Belongs to the People,â Interview by P. Dingle
- How the Fifth Peg Came into Existence
- Part IV: Bob Dylan and Other Folk Icons
- The Story behind Bob Dylanâs First Concert
- Bob Dylan Taunt
- The Missing Singer
- Introduction to the Swedish Audio Book of Bob Dylanâs Chronicles
- âGo Away You Bombâ
- âTalking Folklore Centerâ
- Izzy on Woody
- A Tribute to Harry Smith
- Folk Music and Copyright, Lomax and Leadbelly
- Appendix: Manuscripts and Typescripts
- Bibliography
- About the Contributors