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About this book
Charley Chase began his film career in early 1913 working as a comedian, writer, and director at the Al Christie studios under his real name, Charles Parrott. Chase then joined Mack Sennett's Keystone studio in 1914, costarring in early films of Charlie Chaplin and Roscoe "Fatty" Arbuckle, as well as directing the frenetic Keystone Cops. By 1924 he was starring in a series of one-reel comedies at Hal Roach studios, graduating to two-reel films the following year. In 1929, he made the transition to sound films. Along with the continuing popularity of his own short comedies, Chase often directed the films of others, including several popular Three Stooges efforts.
In The Charley Chase Talkies: 1929-1940, James L. Neibaur examines, film-by-film, the comedian's seventy-nine short subjects at Roach and Columbia studios. The first book to examine any portion of Chase's filmography, this volume discusses the various methods Chase employed in his earliest sound films, his variations on common themes, his use of music, and the modification of his character as he reached the age of forty. Neibaur also acknowledges the handful of feature film appearances Chase made during this period.
A filmmaker whom Time magazine once declared was receiving the most fan mail of any comedian in movies, Charley Chase remains quite popular among classic film buffs, as well as historians and scholars. A detailed look into the work of an artist whose career straddled the silent and sound eras, The Charley Chase Talkies will be appreciated by those interested in film comedy of the 1920s and 30s.
In The Charley Chase Talkies: 1929-1940, James L. Neibaur examines, film-by-film, the comedian's seventy-nine short subjects at Roach and Columbia studios. The first book to examine any portion of Chase's filmography, this volume discusses the various methods Chase employed in his earliest sound films, his variations on common themes, his use of music, and the modification of his character as he reached the age of forty. Neibaur also acknowledges the handful of feature film appearances Chase made during this period.
A filmmaker whom Time magazine once declared was receiving the most fan mail of any comedian in movies, Charley Chase remains quite popular among classic film buffs, as well as historians and scholars. A detailed look into the work of an artist whose career straddled the silent and sound eras, The Charley Chase Talkies will be appreciated by those interested in film comedy of the 1920s and 30s.
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Yes, you can access The Charley Chase Talkies by James L. Neibaur in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- Acknowledgments
- Introduction
- Chapter 1: The Charley Chase Silents
- Chapter 2: The Charley Chase Sound Films
- Chapter 3: The Big Squawk
- Chapter 4: Leaping Love
- Chapter 5: Snappy Sneezer
- Chapter 6: Crazy Feet
- Chapter 7: Stepping Out
- Chapter 8: Great Gobs
- Chapter 9: The Real McCoy
- Chapter 10: Whispering Whoopee
- Chapter 11: All Teed Up
- Chapter 12: Fifty Million Husbands
- Chapter 13: Fast Work
- Chapter 14: Girl Shock
- Chapter 15: Dollar Dizzy
- Chapter 16: Looser Than Loose
- Chapter 17: High C’s
- Chapter 18: Thundering Tenors
- Chapter 19: The Pip from Pittsburg
- Chapter 20: Rough Seas
- Chapter 21: One of the Smiths
- Chapter 22: The Panic Is On
- Chapter 23: Skip the Maloo
- Chapter 24: What a Bozo
- Chapter 25: The Hasty Marriage
- Chapter 26: The Tabasco Kid
- Chapter 27: The Nickel Nurser
- Chapter 28: In Walked Charley
- Chapter 29: First in War
- Chapter 30: Young Ironsides
- Chapter 31: Girl Grief
- Chapter 32: Now We’ll Tell One
- Chapter 33: Mr. Bride
- Chapter 34: Fallen Arches
- Chapter 35: Nature in the Wrong
- Chapter 36: His Silent Racket
- Chapter 37: Arabian Tights
- Chapter 38: Sherman Said It
- Chapter 39: Midsummer Mush
- Chapter 40: Luncheon at Twelve
- Chapter 41: The Cracked Iceman
- Chapter 42: Four Parts
- Chapter 43: I’ll Take Vanilla
- Chapter 44: Another Wild Idea
- Chapter 45: It Happened One Day
- Chapter 46: Something Simple
- Chapter 47: You Said a Hatful
- Chapter 48: Fate’s Fathead
- Chapter 49: The Chases of Pimple Street
- Chapter 50: Okay Toots!
- Chapter 51: Poker at Eight
- Chapter 52: Southern Exposure
- Chapter 53: The Four Star Boarder
- Chapter 54: Nurse to You
- Chapter 55: Manhattan Monkey Business
- Chapter 56: Public Ghost #1
- Chapter 57: Life Hesitates at 40
- Chapter 58: The Count Takes the Count
- Chapter 59: Vamp Till Ready
- Chapter 60: On the Wrong Trek
- Chapter 61: Neighborhood House
- Chapter 62: Hollywood Party
- Chapter 63: Chase at Columbia
- Chapter 64: The Grand Hooter
- Chapter 65: From Bad to Worse
- Chapter 66: The Wrong Miss Wright
- Chapter 67: Calling All Doctors
- Chapter 68: The Big Squirt
- Chapter 69: Man Bites Lovebug
- Chapter 70: Time Out for Trouble
- Chapter 71: The Mind Needer
- Chapter 72: Many Sappy Returns
- Chapter 73: The Nightshirt Bandit
- Chapter 74: Pie à la Maid
- Chapter 75: The Sap Takes a Wrap
- Chapter 76: The Chump Takes a Bump
- Chapter 77: Rattling Romeo
- Chapter 78: Skinny the Moocher
- Chapter 79: Teacher’s Pest
- Chapter 80: The Awful Goof
- Chapter 81: The Heckler
- Chapter 82: South of the Boudoir
- Chapter 83: His Bridal Fright
- Appendix A: Written, Produced, or Directed by Charley Chase
- Appendix B: Music Credits for the Charley Chase Films
- Bibliography
- About the Author