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About this book
The Western tradition, with its well-worn tropes, readily identifiable characters, iconic landscapes, and evocative soundtracks, is not limited to the United States. Western, or Western-inspired films have played a part in the output of numerous national film traditions, including Asia, Central and Eastern Europe, and Latin America.
In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django).
Featuring contributions from a diverse group of international scholarsāoften writing about Westerns adapted to their own national traditionsāthese essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to dateāand featuring more than 70 illustrationsāInternational Westerns will be of interest to scholars of film, popular culture, and cultural history.
In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django).
Featuring contributions from a diverse group of international scholarsāoften writing about Westerns adapted to their own national traditionsāthese essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to dateāand featuring more than 70 illustrationsāInternational Westerns will be of interest to scholars of film, popular culture, and cultural history.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access International Westerns by Cynthia J. Miller,A. Bowdoin Van Riper in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
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Table of contents
- Contents
- Acknowledgments
- Introduction
- Part I: Dueling Industries
- Chapter 1: The Ghosts of Modernization
- Chapter 2: On the Spatial Ideology of Turkish Cinema (The West as āOutsideā)
- Chapter 3: The Only Good Indian Is a DEFA Indian
- Chapter 4: (Dis)Respecting Winnetou
- Part II: Parodies from around the World
- Chapter 5: Visions of the West in Lucky Luke Comics
- Chapter 6: Comedy, Capitalism, and Kolaloka
- Chapter 7: Upsetting the Genreās Gender Stereotypes
- Chapter 8: Tough Guys of the Prairie
- Part III: The Western Hero Deconstructed
- Chapter 9: Into the West
- Chapter 10: El Topo
- Chapter 11: āYou Got the Wrong F***inā Black Man!ā
- Chapter 12: The Self-Exiled Hero
- Part IV: Social Bandits and National Identities
- Chapter 13: O Cangaceiro (1953) and the Brazilian Northeastern
- Chapter 14: āThey Sing Songs about Us Hereā
- Chapter 15: Reading Dost-Dushman
- Chapter 16: Italian D.O.C.
- Part V: Unexpected Roots
- Chapter 17: Western Films through German Eyes
- Chapter 18: Wessex Goes West
- Chapter 19: āThe East Is a Delicate Matterā
- Chapter 20: The Sword and the Six-Shooter
- About the Editors and Contributors