Deception in Modern Art and Hollywood
eBook - PDF

Deception in Modern Art and Hollywood

  1. 225 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Deception in Modern Art and Hollywood

About this book

Over the last 200 years, a paradoxical fear of deception has grown in the fields of art and popular culture – modes of expression that are traditionally dedicated to creating illusory, artificial worlds. More and more, fiction is expected to reflect what we perceive to be reality and, simultaneously, to indicate to viewers that they are dealing with deceptive strategies. But what if fabrications are not devoid of truth? What if art and popular culture, with all their fakery, can critically and convincingly tackle individual or political predicaments? And what if, as Jacques Lacan put it, truth has the structure of a fiction?

Deception in Modern Art and Hollywood pursues this topic on several levels. It explores the philosophical implications of 'being in the know' and the fear of deception within the theoretical frame of Hegelian dialectics and Lacanian psychoanalysis. Meanwhile, a Marxist theoretical tradition – from Theodor Adorno to Fredric Jameson and Louis Althusser – is used to conceptualize the broader historical, social and political implications of these ideas.

Ranging from the late nineteenth century to the present day, this exciting text takes psychoanalytic and Marxist theory to classic Hollywood themes of appearance, mediation, indirection and deception. It presents a novel understanding of our ongoing, entangled affair with moving images, and the emancipatory messages that they contain.

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Yes, you can access Deception in Modern Art and Hollywood by Jela Krecic in PDF and/or ePUB format, as well as other popular books in Philosophy & Popular Culture in Art. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Half Title
  2. Series Page
  3. Title Page
  4. Copyright Page
  5. Contents
  6. Acknowledgements
  7. Introduction: On bad life and good fiction
  8. Chapter 1: Modernism, postmodernity or the fate of self-aware art
  9. Chapter 2: Comedy, acting and stardom . . . and fear of falsity
  10. Chapter 3: Popular culture and its discontents
  11. Chapter 4: The trouble with endings, or, why TV series cannot end
  12. Chapter 5: Tarantino’s love letter to Hollywood: Fiction against ideology
  13. Notes
  14. Bibliography
  15. Filmography
  16. Index