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About this book
Why do we watch movies? If we read in search of more life, as Harold Bloom is fond of saying, then we watch movies, this book proposes, in search of wonder. We watch movies in search of awe-inspiring visions, transformative experiences, and moments of emotional transcendence and spiritual sublimity. We watch movies for many of the same reasons that we engage in religion: to fill our ordinary evenings and weekends with something of the extraordinary; to connect our isolated, individual selves to something that is greater than ourselves; and because we yearn for something that is ineffable but absolutely indispensable.
This book, through an exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually—as well as cinematically—trained eyes to uncover these ever-present ocular gems.
In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers.
This book, through an exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually—as well as cinematically—trained eyes to uncover these ever-present ocular gems.
In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers.
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Yes, you can access Somewhere Over the Rainbow by Daniel Ross Goodman in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Title Page
- Foreword
- Permissions
- Introduction
- To the Wonder
- Renoir
- The End of the Tour
- Driving to Nebraska
- Boyhood
- Exodus: Gods & Kings
- Ex Machina
- How to Overcome the War Within
- Moral Gravity and Spiritual Audacity
- Magic in the Moonlight
- Inside Llewyn Davis
- All Is Lost
- Reading Movie Reviews as a Religious Experience
- Hollywood, the Oscars, and the Missing Modern Jew
- The Greatest Beauty
- A Movie in the Mold of Murnau, Metropolis , and The Rules of the Game
- The Big Short
- La La Land
- Blue Jasmine
- The Wolf of Wall Street
- Museum Hours
- Life Itself
- Theotropic Motifs in Gatsby
- In Tree of Life , Jewish Roots
- Leonardo DiCaprio, Meet St. Augustine
- Bibliography
- Index of Films Referenced
- Index
- About the Author