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About this book
There's nothing like it in the Rush catalog—or, indeed, in the entire prog-rock canon. Stylistically expansive and intellectually ambitious, 1981's Moving Pictures was a landmark release, one that helped define the progressive genre and that ensured Rush's place in the rock pantheon. In this definitive account of the album's creation and legacy, author Will Romano explores the rare alchemy behind a record that continues to inspire musicians and listeners even today.
While Permanent Waves and Hemispheres were important releases in Rush's evolution as a band, Moving Pictures marked a turning point for the Canadian trio in more ways than one. It was not only a creative triumph but a commercial one, with sales and airplay that blasted them into the stratosphere of rock stardom. Beyond the individual power of its seven songs, however, the key to its lasting significance is the distinctive overarching vision that Geddy Lee, Alex Lifeson, and Neil Peart brought to the album. As Romano shows, Moving Pictures reconciled opposing creative sensibilities to a remarkable degree, giving the record real thematic depth while at the same time rendering it the very antithesis of a "concept album." Each track was carefully layered with cinematic and multisensory meaning, paradoxically using music to evoke experiences beyond the strictly aural.
Consistently insightful and frequently surprising, this book is filled with behind-the-scenes details based on new research and interviews, and it guides readers through the album's dizzying array of allusions and inspirations. Newbies and fervent Rush fans alike will find this an illuminating exploration of one of the band's most enduring achievements.
While Permanent Waves and Hemispheres were important releases in Rush's evolution as a band, Moving Pictures marked a turning point for the Canadian trio in more ways than one. It was not only a creative triumph but a commercial one, with sales and airplay that blasted them into the stratosphere of rock stardom. Beyond the individual power of its seven songs, however, the key to its lasting significance is the distinctive overarching vision that Geddy Lee, Alex Lifeson, and Neil Peart brought to the album. As Romano shows, Moving Pictures reconciled opposing creative sensibilities to a remarkable degree, giving the record real thematic depth while at the same time rendering it the very antithesis of a "concept album." Each track was carefully layered with cinematic and multisensory meaning, paradoxically using music to evoke experiences beyond the strictly aural.
Consistently insightful and frequently surprising, this book is filled with behind-the-scenes details based on new research and interviews, and it guides readers through the album's dizzying array of allusions and inspirations. Newbies and fervent Rush fans alike will find this an illuminating exploration of one of the band's most enduring achievements.
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Yes, you can access Moving Pictures by Will Romano in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music History & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Acknowledgments
- Chapter 1: 1981: The Last Picture Show
- Chapter 2: Big Screen Beginnings
- Chapter 3: Enough Rope?
- Chapter 4: This Machine Kills Fascists
- Chapter 5: Pictures at 11
- Chapter 6: ^^^^Wavelength ^^^^
- Chapter 7: Coming Attractions
- Chapter 8: Audiovisual: The Perfect Side
- Chapter 9: Cinema Paradiso: Side II
- Chapter 10: Joan of Arc and Flaming Pie Plates
- Chapter 11: The Cold War
- Epilogue: Our Vienna (or Paradiddles in Paradise)
- Moving Pictures Tour Dates
- Bibliography
- Discography