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About this book
Paul Gemignani is one of the titans of the modern musical theater industry. Serving as musical director for more than forty Broadway productions since 1971, his collaborations with Stephen Sondheim, Andrew Lloyd Webber, John Kander, Fred Ebb, Hal Prince, Michael Bennett, and Alan Menken have led to countless accolades for his collaborators, but due to the near invisible position of the musical director in the Broadway industry, Gemignani's story is often overlooked. GEMIGNANI seeks to not only bring the reader into the orchestra pit to learn Gemignani's story, but also to educate the reader about the crucial role a music director plays in bringing some of the most iconic musicals in Broadway history to life.
Born into a second-generation Italian American family during the aftershocks of the Great Depression, Gemignani worked his way up from playing percussion in USO bands to conducting before Leonard Bernstein, all before becoming a pivotal player in the team that brought some of the most successful musicals of the late twentieth century to the stage. Sweeney Todd, Evita, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods would be quite different without his key contributions, and many of the sonic markers we now associate with the postmodern musical theater can be traced to Gemignani's careful curiosity to expand the bounds of what was possible.
Born into a second-generation Italian American family during the aftershocks of the Great Depression, Gemignani worked his way up from playing percussion in USO bands to conducting before Leonard Bernstein, all before becoming a pivotal player in the team that brought some of the most successful musicals of the late twentieth century to the stage. Sweeney Todd, Evita, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods would be quite different without his key contributions, and many of the sonic markers we now associate with the postmodern musical theater can be traced to Gemignani's careful curiosity to expand the bounds of what was possible.
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Yes, you can access GEMIGNANI by Margaret Hall in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Biographies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- IntroductionâWhat Is a Music Director?
- Chapter 1: Childhood
- Chapter 2: College Years
- Chapter 3: Rhythm Section
- Chapter 4: Next Stop, New York
- Chapter 5: Picking Up the Baton
- Chapter 6: Does That Mean Iâm the Music Director?
- Chapter 7: Pacific Overtures
- Chapter 8: A Little Night Music (Film)
- Chapter 9: Side by Side by Sondheim
- Chapter 10: On the Twentieth Century
- Chapter 11: Sweeney ToddâThe Demon Barber of Fleet Street
- Chapter 12: Evita
- Chapter 13: Merrily We Roll Along
- Chapter 14: Dreamgirls
- Chapter 15: The Rink
- Chapter 16: Sunday in the Park with George
- Chapter 17: Into the Woods
- Chapter 18: Jerome Robbinsâ Broadway
- Chapter 19: Crazy for You
- Chapter 20: Passion
- Chapter 21: Fun for the Whole Family
- Chapter 22: 1776
- Chapter 23: High Society
- Chapter 24: Kiss Me, Kate 1999
- Chapter 25: Assassins
- Chapter 26: Ravinia Festival
- Chapter 27: The Mystery of Edwin Drood
- Chapter 28: She Loves Me
- Chapter 29: The Under 100 Club
- Chapter 30: Beyond Broadway
- Chapter 31: Film Projects
- Chapter 32: Kiss Me, Kate 2019
- Chapter 33: On Fathers and Sons
- Chapter 34: The Importance of Collaboration
- Chapter 35: Advice to Artists
- Chapter 36: The Interpretive Artist
- Coda: Hereâs to Us! Whoâs Like Us? Damn Few!
- Paul Gemignani, According to His Colleagues
- Acknowledgments
- Career Time Line
- Show Reference