Basic Condition Reporting

A Handbook

Southeastern Registrars Association, Deborah Rose Van Horn, Corinne Midgett, Heather Culligan

• Publisher: Rowman & Littlefield Publishers
• Year: 2022
• eBook ISBN: 9781538150610
• Edition: 5
• Topic: Business
• Subtopic: Museum Administration
• Index: Business

Whether you call yourself a Registrar, Curator, Curator of Collections, Collections Manager or any number of other titles you are most likely doing condition reports.

A good condition report is an accurate and informative account of an object's state of preservation at a particular moment in time. Condition reports can have multiple functions such as recording the state of an object prior to an exhibition or loan, after exhibition or loan, to assist in collections planning, or as a tool for the treatment of an object. Most of these functions can be conducted by a registrar, curator, collections manager, or volunteer.

A good condition report fills many critical needs including:
Knowing the exact condition of an object before or after a loanHelping staff determine the stability of an object for exhibit or loanLimiting how often an object is handledInforming object handlers of unseen problemsShowing the condition of an object over time to determine the rate of deteriorationSetting priorities for conservationAssisting the staff in identifying similar objects Aiding in the valuation of an object for insurance purposes
The fifth edition of Basic Condition Reporting: A Handbook proffers a standard vocabulary for all of the individuals in a museum that may be conducting condition reports. In an ideal world, everyone who does a condition report for an item would be trained in the exact same standards, use the same terminology, and use the exact same form, etc. However, the reality is that even if every registrar, collections manager, and curator in your institution does condition reports, each report will be slightly different. Then you throw in every intern, volunteer, or student that may assist and you will find a variety of methods and terminologies that appear. This volume provides a baseline that all of these people can work from so that any person who opens the condition report can understand what the problems on a particular piece include.

Basic Condition Reporting, Fifth Edition is a great resource for learning the basics of doing condition reports for museum objects. The book looks at different material types and helps new and seasoned professionals identify condition issues for a variety of materials. This new addition has several new chapters including information on digital condition reporting, wood objects, mixed media objects and taxidermy while expanding the information for existing chapters. This book is a great resource for those new to the museum field and a handy reference to collections professionals.

Table of contents

• Acknowledgments
• Preface
• 1 Condition Reporting: An Introductory Primer Deborah Rose Van Horn and Heather Culligan
• 2 Condition Reports for Incoming and Outgoing Loans Michelle Gallagher Roberts
• 3 Digital Condition Reporting Tommie Rodgers
• 4 Archaeological Artifacts Elise V. LeCompte
• 5 Basketry Rachel Shabica
• 6 Ceramics Erica Hague
• 7 Ethnographic Collections Nicole Passerotti
• 8 Furniture Kathleen McClain Jenkins, revised by Misty Tilson Jackson
• 9 Glass Erica Hague
• 10 Metals Mary D. LaGue
• 11 Mixed Media and Composite Objects Robin P. Croskery Howard
• 12 Natural History Specimens Kara J. Hurst
• 13 Paintings and Frames Dixie Neilson
• 14 Paper LaToya Devezin
• 15 Photographs Stephanie Gaub Antequino
• 16 Plastics Mary Coughlin
• 17 Sculpture Kyle Bryner
• 18 Skin and Leather Jillian Matthews Bingham
• 19 Taxidermy Fran Ritchie
• 20 Textiles Laura Mina
• 21 Wood Katherine Steiner
• About the Southeastern Registrars Association
• About the Editors and Contributors