
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Getting Great Sounds: The Microphone Book imparts microphone tips and tricks of the pros to make them available to any sound engineer or home studio enthusiast. It explains aspects of all kinds of microphones, how they work, and how to use them in session recording. A well-known recording engineer with decades of industry experience, Tom Lubin presents technical information in a friendly, straightforward, and easy-to-grasp way, based on real-life experiences.
This third edition includes a review of key practices at the end of chapters and a new section that provides an overview of microphone manufacturers you may not have heard of. There are now over one hundred and fifty companies making microphones for studio applications of one form or another, and most are small companies owned by people who are passionate about good sound. These companies feature high quality microphones, and many use classic designs with more affordable prices.
How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are often self-taught and lack the benefit of the big-studio tutelage. This book is your guide to understanding the ins and outs of microphones and music studio production.
This third edition includes a review of key practices at the end of chapters and a new section that provides an overview of microphone manufacturers you may not have heard of. There are now over one hundred and fifty companies making microphones for studio applications of one form or another, and most are small companies owned by people who are passionate about good sound. These companies feature high quality microphones, and many use classic designs with more affordable prices.
How to choose and use microphones was once a skill passed down from senior sound engineers to their assistants as they would listen and learn by observation. Today, few large studios have assistant engineers, and an overwhelming number of studios are operated by their owners who are often self-taught and lack the benefit of the big-studio tutelage. This book is your guide to understanding the ins and outs of microphones and music studio production.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Getting Great Sounds by Tom Lubin in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Theory & Appreciation. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Dedication
- Acknowledgments
- About the Author
- Table of Content
- Introduction
- Chapter 1 The Development of the Microphone
- Chapter 2 Microphone Types, Patterns, and Uses
- Chapter 3 Understanding Sound and Hearing
- Chapter 4 Polarity, Phase Cancellation, and Reverb
- Chapter 5 Impedance and Balance
- Chapter 6 Hum 101, DIs, and Related Transducers
- Chapter 7 Accessories and Necessary Hardware
- Chapter 8 Stereo Microphone Techniques
- Chapter 9 The Recording Session
- Chapter 10 Miking Drums
- Chapter 11 Miking the Guitar and a Bit on Bass
- Chapter 12 Miking Piano
- Chapter 13 Miking Solo Acoustic Instruments and Vocals
- Chapter 14 Miking Classical Acoustic Sections
- Appendix A Compressors and Limiters: A Brief Overview
- Appendix B An EQ Primer
- Appendix C Microphones you may not have heard of