Phenomenology of Film
eBook - PDF

Phenomenology of Film

A Heideggerian Account of the Film Experience

  1. 221 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Phenomenology of Film

A Heideggerian Account of the Film Experience

About this book

Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger's own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger's philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green.
As the first single-author monograph that takes up Heidegger's relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture.

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Yes, you can access Phenomenology of Film by Shawn Loht in PDF and/or ePUB format, as well as other popular books in Philosophy & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

Year
2017
eBook ISBN
9781978777040
Edition
1
Subtopic
Film & Video

Table of contents

  1. Cover
  2. Phenomenology of Film
  3. Phenomenology of Film
  4. Contents
  5. Preface
  6. Acknowledgments
  7. Chapter 1
  8. Précis to a Heideggerian Phenomenology of Film
  9. Chapter 2
  10. Heidegger’s
  11. Chapter 3
  12. Film and Heidegger’s Philosophy of Art
  13. Chapter 4
  14. Phenomenology and the Concept of Film-as-Philosophy
  15. Chapter 5
  16. Terrence Malick
  17. Chapter 6
  18. Michael Haneke’s Code Unknown and The White Ribbon
  19. Chapter 7
  20. David Gordon Green’s
  21. and an Afterword
  22. Bibliography
  23. Index
  24. About the Author