iTake-Over
eBook - PDF

iTake-Over

The Recording Industry in the Streaming Era

  1. 215 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

iTake-Over

The Recording Industry in the Streaming Era

About this book

The second edition of iTake-Over: The Recording Industry in the Streaming Era sheds light on the way large corporations appropriate new technology to maintain their market dominance in a capitalist system. To date, scholars have erroneously argued that digital music has diminished the power of major record labels. In iTake-Over, sociologist David Arditi suggests otherwise, adopting a broader perspective on the entire issue by examining how the recording industry strengthened copyright laws for their private ends at the expense of the broader public good. Arditi also challenges the dominant discourse on digital music distribution, which assumes that the recording industry has a legitimate claim to profitability at the expense of a shared culture.



Arditi specifically surveys the actual material effects that digital distribution has had on the industry. Most notable among these is how major record labels find themselves in a stronger financial position today in the music industry than they were before the launch of Napster, largely because of reduced production and distribution costs and the steady gain in digital music sales. Moreover, instead of merely trying to counteract the phenomenon of digital distribution, the RIAA and the major record labels embraced and then altered the distribution system.

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Yes, you can access iTake-Over by David Arditi in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music & Business. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Contents
  2. Preface
  3. Acknowledgments
  4. Introduction
  5. Part I TRANSFORMATIONS IN THE RECORDING INDUSTRY
  6. Chapter One Recording Industry in Transition
  7. Chapter Two The Expansion of Consumption in the Recording Industry
  8. Part II THE STATE IN MUSIC
  9. Chapter Three Copyright: A Critical Exploration
  10. Chapter Four Critical Junctures
  11. Part III THE RECORDING INDUSTRY AND LABOR
  12. Chapter Five Musician Labor
  13. Chapter Six Victims, Musicians, and Metallica
  14. Part IV DIGITAL DISTRIBUTION AND SURVEILLANCE
  15. Chapter Seven Distribution Then and Now
  16. Chapter Eight Watching Music Consumption
  17. Conclusion
  18. References
  19. Index
  20. About the Author