- 180 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
In this edited collection of essays, ten experts in film philosophy explore the importance of transcendence for understanding cinema as an art form. They analyze the role of transcendence for some of the most innovative film directors: David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese. Meanwhile they apply concepts of transcendence from continental philosophers like Alain Badiou, Gilles Deleuze, Martin Heidegger, Michel Henry, Edmund Husserl, Karl Jaspers, Søren Kierkegaard, Maurice Merleau-Ponty, Friedrich Nietzsche, and Jean-Paul Sartre. Each of the ten chapters results in a different perspective about what transcendence means and how it is essential to film as an art medium. Several common threads emerge among the chapters. The contributors find that the limitations of human existence are frequently made evident in moments of transcendence, so as to bring characters to the margins of their assumed world. At other times, transcendence goes immanent, so as to emerge in experiences of the surprising nearness of being, as though for a radical intensification of life. Film can also exhibit "ciphers of transcendence" whereby symbolic events open us to greater realizations about our place in the world. Lastly, the contributors observe that transcendence occurs in film, not simply from isolated moments forced into a storyline, but in a manner rooted within an ontological rhythm peculiar to the film itself.
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Yes, you can access Transcendence and Film by David P. Nichols in PDF and/or ePUB format, as well as other popular books in Philosophy & Film History & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- List of Illustrations
- Introduction
- Chapter One: The Dream of Anxiety in David Lynch’s Mulholland Drive
- Chapter Two: Transcendence and Tragedy in My Son, My Son, What Have Ye Done
- Chapter Three: eXistenZ or Existenz: Transcendence in the Early Twenty-First Century
- Chapter Four: Earth and World: Malick’s Badlands
- Chapter Five: Pointing Toward Transcendence: When Film Becomes Art
- Chapter Six: Transcendence in Phenomenology and Film: Ozu’s Still Lives
- Chapter Seven: ASA NISI MASA: Kierkegaardian Repetition in Fellini’s 8 1/2
- Chapter Eight: Transcendence and the Ineffable in Scorsese’s Silence
- Chapter Nine: La Passion de Jeanne d’Arc and the Cadence of Images
- Chapter Ten: Ciphers of Transcendence in 2001: A Space Odyssey
- Index
- About the Contributors