
eBook - PDF
Cinematic Landscape and Emerging Identities in Contemporary Latin American Film
- 235 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Cinematic Landscape and Emerging Identities in Contemporary Latin American Film
About this book
Cinematic Landscape and Emerging Identities in Contemporary Latin American Film offers a series of perspectives, produced from a diverse array of aesthetic and theoretical approaches, that build on previous studies about cinematic landscape and space while addressing it from a regional perspective. This book explores how contemporary Latin American filmmakers have included, created, or transformed different types of landscapes in their works. The chapters highlight the centrality of landscape as a meaningful space in film, composed in addition to the image, sound, and movement. The core of the edited collection revolves around films where landscape emerges as a crucial element to transmit the urgency of issues affecting diverse Latin American societies. The representation of emerging social actors, such as Indigenous groups, Afro-Latin Americans, LGBTQIA+ communities, migrants, environmentalists, and women, offers a localized view of sociocultural, political, and environmental challenges from marginalized and dissenting voices.
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Yes, you can access Cinematic Landscape and Emerging Identities in Contemporary Latin American Film by María Soledad Paz-MacKay,Argelia González Hurtado in PDF and/or ePUB format, as well as other popular books in Social Sciences & Popular Culture. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- Acknowledgments
- Introduction
- Part I: Urban and Rural Landscapes
- Chapter 1: Beyond Utopias: Urban Landscapes in Contemporary Venezuelan Cinema
- Chapter 2: De vientres y aguas: Women and Landscape in El niño pez and El verano de los peces voladores
- Chapter 3: Enclaves of Entrapment: Capitalism’s Waste in Maquilapolis and 7 Prisoneiros
- Part II: Colonial, Postcolonial, and Historical Landscapes
- Chapter 4: Unraveling the Colonial Landscape in Lucrecia Martel’s Zama
- Chapter 5: Old Customs in the New Lima: Alternative Spaces in Octubre (2010) and Rosa Chumbe (2016)
- Chapter 6: Exploring Bolivian Cartography in Juan Carlos Valdivia’s Films: Landscapes, Crises, and Transformations
- Part III: Violence and Gendered Landscapes
- Chapter 7: The Disappearing Landscape: Narratives of Displacement in Two Venezuelan Ecofeminist Documentaries
- Chapter 8: Desert as a Memoryscape in El guardián de la memoria
- Chapter 9: Close-ups of Political Violence: Faces as Affective Landscape in Magallanes (2015)1
- Chapter 10: The Landscape of Confinement: Abject Exclusion in Fernando Pérez’s La pared de las palabras (2014)
- Part IV: Directors’ Points of View about Cinematic Landscape
- Chapter 11: In Conversation with Filmmaker Francisco Huichaqueo
- Chapter 12: Landscapes of Haptic Visualities and Affects: A Conversation with Cuban Filmmaker Patricia Ramos
- Index
- About the Editors