Alto
eBook - PDF

Alto

The Voice of Bel Canto

  1. 259 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Alto

The Voice of Bel Canto

About this book

Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art.

Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos' careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.

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Yes, you can access Alto by Dan H. Marek in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Contents
  2. Musical Examples
  3. Figures
  4. Acknowledgments
  5. Introduction
  6. PART I. THE ALTO VOICE IN THE BAROQUE ERA
  7. Chapter 1. Mezzos and Contraltos
  8. Chapter 2. Why Castrati?
  9. Chapter 3. Altos in the Dawn of Opera
  10. Chapter 4. Altos, Neapolitan Style
  11. Chapter 5. Mr. “Hendel’s” Altos
  12. Chapter 6. Faustina Bordoni and Il Caro Sassone
  13. Chapter 7. Gluck’s Basses-Dessus and Mozart’s Altos
  14. Chapter 8. Intermezzo
  15. PART II. ALTOS IN THE ROMANTIC REVOLUTION
  16. Chapter 9. Cambio di Voce
  17. Chapter 10. The Swan of Pesaro and I Musici
  18. Chapter 11. The Maestro and the Prima Donna Assoluta
  19. Chapter 12. Giuditta Pasta
  20. Chapter 13. Carolina Unger (Ungher): The Forgotten Prima Donna
  21. Chapter 14. Maria (Garcia) Malibran
  22. Chapter 15. Pauline (Garcia) Viardot
  23. Chapter 16. The Altos of Grand Opéra
  24. Chapter 17. “La Favorite,” Rosine Stoltz
  25. Chapter 18. Altos in Opéra Lyrique and Opéra Comique
  26. Chapter 19. The Bel Canto Altos of Bellini and Donizetti
  27. Chapter 20. Verdi and Verismo Altos
  28. Chapter 21. German Romanticism, Wagner, Strauss, and the Alto Voice
  29. Chapter 22. The Russian Altos
  30. Chapter 23. Altos in the English-Speaking World
  31. PART III. ALTOS AFTER 1900
  32. Chapter 24. Twentieth-Century Altos
  33. Chapter 25. Contemporary Alto Singers
  34. Selected Bibliography
  35. Selected Bibliography
  36. Alto Singer Index
  37. General Index
  38. About the Author