eBook - PDF
From Victimhood to Empowerment
Representing Women in 1920s Soviet Georgian Cinema
- 265 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
From Victimhood to Empowerment
Representing Women in 1920s Soviet Georgian Cinema
About this book
From Victimhood to Empowerment: Representing Women in 1920s Soviet Georgian Cinema brings the cinematographic works of Georgia's State Film Industry from the margins of the Soviet film studies to the centre. The book focuses on women's representations and explores how the gender roles were modified throughout the decade according to the new social and political ideals employing the discourse analysis, postcolonial perspectives and psychoanalytical feminist film theories.
Bringing together Soviet Georgia's most important films of the period, the book inspects the female body's symbolic function in the aspects of class dichotomy and ethnic hierarchies. It analyzes the construction of the 'Oriental other' by the Russian colonial imagination and its subsequent dismantling in the context of the Caucasus's de-Orientalization. It also examines the characteristics embodied by the 'heroine' and 'villain' of the new social order-the New Soviet Woman and the NEPwoman-and explores women's transformation within the revolutionary setting during the decade.
In the light of Bolsheviks' preoccupation and endeavour to improve 'woman question', the book surveys to what extent women's screen images were emancipated and whatthe functional meaning of this emancipation was in the given context; how the new ideals of the New Soviet woman were inscribed in the period's films and how these ideals were combined with Georgian nationality.
Bringing together Soviet Georgia's most important films of the period, the book inspects the female body's symbolic function in the aspects of class dichotomy and ethnic hierarchies. It analyzes the construction of the 'Oriental other' by the Russian colonial imagination and its subsequent dismantling in the context of the Caucasus's de-Orientalization. It also examines the characteristics embodied by the 'heroine' and 'villain' of the new social order-the New Soviet Woman and the NEPwoman-and explores women's transformation within the revolutionary setting during the decade.
In the light of Bolsheviks' preoccupation and endeavour to improve 'woman question', the book surveys to what extent women's screen images were emancipated and whatthe functional meaning of this emancipation was in the given context; how the new ideals of the New Soviet woman were inscribed in the period's films and how these ideals were combined with Georgian nationality.
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Yes, you can access From Victimhood to Empowerment by Salome Tsopurashvili in PDF and/or ePUB format, as well as other popular books in Médias et arts de la scène & Histoire et critique du cinéma. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Acknowledgements
- Notes on translation and transliteration
- Acronyms and abbreviations
- Introduction
- 1 Class and the symbolic meaning of female bodies
- 2 At the intersection of class and ethnicity
- 3 Representing the ‘East’: Oriental fantasy
- 4 Transformation of the ‘East’
- 5 Meet the New Soviet Woman: Incompatibility of femininity and agency
- 6 Monstrous femininity of NEPwomen
- 7 Reimagining revolution as an Oedipal drama: Transformation of the mother figure in the 1920s revolutionary films
- Conclusion: The legacy of the films of the 1920s
- Selected filmography
- Bibliography
- Index