
William Kentridge
- English
- ePUB (mobile friendly)
- Available on iOS & Android
William Kentridge
About this book
Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.
The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the pageāparticularly the smudges, smears, and erasures that characterize his stop-animationsādefine the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects.
Essays and Interviews
Carolyn Christov-Bakargiev, Maria Gough, Andreas Huyssen, William Kentridge, Joseph Leo Koerner, Margaret Koster Koerner, Rosalind Krauss, Rosalind Morris
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Information
Table of contents
- Cover
- Half Title
- Series Page
- Title
- Copyright
- Dedication
- Table of Contents
- Series Preface
- Acknowledgments
- Author Notes
- 1 Carolyn Christov-Bakargiev in Conversation with William Kentridge
- 2 Fortuna: Neither Program nor Chance in the Making of Images
- 3 āThe Rockā: William Kentridgeās Drawings for Projection
- 4 In Praise of Shadows: The Neutral Mask (2001)
- 5 The Shadow Play as Medium of Memory in William Kentridge
- 6 The Other Side of the Press
- 7 Landscape in a State of Siege
- 8 Drawing the Line at a Tree-Search: The New Lanscapes of William Kentridge
- 9 Kentridge's Nose
- 10 āWhichever Page You Openā: William Kentridge in New York
- Index