
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative workāa demand that mirrors the valorization of free expression in liberal democracies.
Focusing on nine Chinese artistsāWang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjunāwho migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidenceātheir formal innovations and introduction of new media and conceptsāand for their political dissidenceāhow their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy.
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Information
Table of contents
- Cover
- Title page
- Copyright page
- Dedication
- Table of Contents
- Acknowledgments
- IntroductionChinese Contemporary Art and the Value of Dissidence
- 1: The Chinese Dissident Artist
- 2: Les Magiciens de la Terre and Chinese Artists in France
- 3: Transition and Transformation
- 4: Chinese Contemporary Art in the West
- Conclusion: The Value of Dissidence
- Index