Rogue Archives

Digital Cultural Memory and Media Fandom

Abigail De Kosnik

• Publisher: The MIT Press
• Year: 2016
• Topic: Computer Science
• eBook ISBN:
  9780262336772
• Subtopic: Web Development
• Index: Computer Science

The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.

De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, "remix culture" and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists; the volunteer labor of online archiving; how fan archives serve women and queer users as cultural resources; archivists' efforts to attract racially and sexually diverse content; and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives.

Table of contents

• Cover
• Title page
• Copyright page
• Dedication
• Table of Contents
• Acknowledgments
• Introduction
• Break 0 A Glossary of Key Terms
• 1 Memory Machine Myth: The Memex, Media Archaeology, and Repertoires of Archiving
• Break 1 Canon and Repertoire
• 2 Archival Styles: Universal, Community, and Alternative Digital Preservation Projects
• Break 2 Archive Elves
• 3 Queer and Feminist Archival Cultures: The Politics of Preserving Fan Works
• Break 3 Fan Time versus Media Time
• 4 Repertoire Fills the Archive: Race, Sexuality, and Social Justice in Fandom
• Break 4 “Works” or “Performances”?
• 5 Print Fans versus Net Fans: Women’s Cultural Memory at the Threshold of New Media
• Break 5 A Femslash Parable of the Print-to-Digital Transition
• 6 The Default Body and the Composed Body: Performance through New Media
• Break 6 Body and Voice in Fan Production
• 7 Archontic Production: Free Culture and Free Software as Versioning
• Break 7 Licensing and Licentiousness
• Conclusion Fan Data: A Digital Humanities Approach to Internet Archives
• Appendix: Oral History Project, Demographics, and Ethical Considerations
• References
• Index