Abstraction and Empathy
eBook - ePub

Abstraction and Empathy

A Contribution to the Psychology of Style

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Abstraction and Empathy

A Contribution to the Psychology of Style

About this book

Wilhelm Worringer's landmark study in the interpretation of modern art, first published in 1908, has seldom been out of print. Its profound impact not only on art historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented. Starting from the notion that beauty derives from our sense of being able to identify with an object, Worringer argues that representational art produces satisfaction from our "objectified delight in the self," reflecting a confidence in the world as it is-as in Renaissance art. By contrast, the urge to abstraction, as exemplified by Egyptian, Byzantine, primitive, or modern expressionist art, articulates a totally different response to the world: it expresses man's insecurity. Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. Abstraction and Empathy also has a sociological dimension, in that the urge to create fixed, abstract, and geometric forms is a response to the modern experience of industrialization and the sense that individual identity is threatened by a hostile mass society. Hilton Kramer's introduction considers the influence of Worringer's thesis and places his book in historical context.

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Yes, you can access Abstraction and Empathy by Wilhelm Worringer in PDF and/or ePUB format, as well as other popular books in History & Art General. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Ivan R. Dee
Year
1997
eBook ISBN
9781461664482
Edition
1
Topic
History
Subtopic
Art General
Index
History

Table of contents

  1. Cover
  2. Half title
  3. Title
  4. Copyright
  5. Contents
  6. Introduction
  7. Foreword to the New Impression, 1948
  8. Foreword to the First Edition
  9. Foreword to the Third Edition
  10. I. Theoretical Section
  11. II. Practical Section
  12. Appendix: Transcendence and Immanence in Art
  13. Notes
  14. Index