An Ethnomusicologist’s Last Lecture
eBook - ePub

An Ethnomusicologist’s Last Lecture

Music and Globalism, Philosophy and Religion

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

An Ethnomusicologist’s Last Lecture

Music and Globalism, Philosophy and Religion

About this book

An Ethnomusicologist's Last Lecture: Music and Globalism, Philosophy and Religion explores the frustration of many scholars and artists with the content and directions of studies on music, which continue to be mostly based on Western thought, methods, theories, and even the modes of communicating ideas, and mostly through written, published works. Steven Loza argues that this pattern has pervaded both philosophy and ethnomusicology, fields which should be much more globally based in terms of intellectual analysis, culturally diverse points of view, and the recognition of multiple ways of thinking and doing. He criticizes what he perceives as an intellectual hegemony and biased approach to studying music, including the standards to which academics are held responsible, the manner in which we and our students have had to study music, and the forms by which we are pressured to present our findings, many times adapting theories and ideas that have nothing to do with the cultures we are examining through a one way microscope – and often a distorted lens. Loza takes the reader through an assortment of historical and contemporary global examples of musical expression, creative artists, and thinkers, looking for ways that we can assess how music both reflects and enacts culturally diverse peoples' beliefs, thoughts, and world views.

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Yes, you can access An Ethnomusicologist’s Last Lecture by Steven Loza in PDF and/or ePUB format, as well as other popular books in Médias et arts de la scène & Ethnomusicologie. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half-Title
  3. Title
  4. Copyright
  5. Dedication
  6. Contents
  7. List of Figures
  8. List of Table
  9. Acknowledgments
  10. Introduction
  11. 1 Thinking Globally: Thoughts and the Ideas of Others on Philosophy, Religion, and Music
  12. 2 Composers and Ideologies through a World Prism
  13. 3 The Spirituality of the Blues and Related Sacred Musics
  14. 4 Polarities, Windmills, and the Transcendence of the Universe
  15. 5 James Newton, Composer of Faith
  16. 6 Masked Phantoms: Thoughts on Our Research and Scholarship in Ethnomusicology
  17. 7 Challenges to the Euro-Americentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method
  18. 8 From Merriam to Guadalupe: Toward a Theory for Religion as Art
  19. 9 Social Justice and My Work as a Music Scholar, Teacher, and Artist
  20. 10 Free Thoughts
  21. Bibliography
  22. Index
  23. About the Author