- English
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eBook - ePub
About this book
In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible. Focusing on the musical-linguistic relationships within the opera, Kolt demonstrates Ward's unique synthesis of text and music, one that lends itself to the perception of American musical nationalism.
This book contains the most thorough and in-depth biography of Ward yet in print. Based on interviews with the composer, Kolt presents new information about Ward's life and career, focusing on his opera and examining the formation and construction of The Crucible's libretto and score, in turn offering new insights into the process of composing an opera. Kolt observes how the libretto's linguistic aspects helped Ward formulate the opera's melodic and rhythmic musical material. A detailed and unique analysis of the opera, particularly the musical and linguistic techniques Ward employed, demonstrates how these techniques lend themselves to the opera's reception as a work of American musical nationalism. The book also provides yet unpublished information on Arthur Miller's play, examining how it came to be written and soon after became the basis for Ward's work. Several appendixes provide a fuller picture, including a deleted scene from Miller's play and Ward's version of the scene, a chronological overview of the Salem Witchcraft Trials, and illustrations and photo reproductions from Ward's manuscript.
This book contains the most thorough and in-depth biography of Ward yet in print. Based on interviews with the composer, Kolt presents new information about Ward's life and career, focusing on his opera and examining the formation and construction of The Crucible's libretto and score, in turn offering new insights into the process of composing an opera. Kolt observes how the libretto's linguistic aspects helped Ward formulate the opera's melodic and rhythmic musical material. A detailed and unique analysis of the opera, particularly the musical and linguistic techniques Ward employed, demonstrates how these techniques lend themselves to the opera's reception as a work of American musical nationalism. The book also provides yet unpublished information on Arthur Miller's play, examining how it came to be written and soon after became the basis for Ward's work. Several appendixes provide a fuller picture, including a deleted scene from Miller's play and Ward's version of the scene, a chronological overview of the Salem Witchcraft Trials, and illustrations and photo reproductions from Ward's manuscript.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Robert Ward's The Crucible by Robert Paul Kolt in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- List of Manuscript and Score Examples and Illustrations
- Preface
- Acknowledgments
- Part One Robert Ward: A Biography
- Part Two Forging The Crucible: Play to Opera Libretto
- Part Three Nationalism
- Appendix A The Salem Witchcraft Trials: A Chronological Overview
- Appendix B Arthur Miller’s Deleted Scene: Act II, Scene 2; Proctor and Abigail Meet in the Woods
- Appendix C Ward’s and Stambler’s Version of Miller’s Deleted Scene
- Appendix D The Opera: Synopsis, Scene Structure, Characters, and Voice Parts
- Appendix E Original Production Personnel: The Play, The Opera
- Appendix F Photo Reproductions of Robert Ward’s Manuscript Examples Used in Chapter 5
- Bibliography
- Index
- About the Author