eBook - PDF
Vox Eurydice
The Ascent of the Female Rescuer in German-Language Opera
- 203 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Vox Eurydice: The Ascent of the Female Rescuer in German-Language Opera is a mythological and depth psychological analysis written from a feminist perspective, on the emergence of the theme of rescue stories, and specifically plots where a female heroine saves a male character, which arose in German-language opera during the roughly one hundred years that spanned the lifetimes of Wolfgang Amadeus Mozart, Ludwig van Beethoven and Richard Wagner.
Margaret Ann Mendenhall argues that the German-language works of these three musical giants grew out of the rescue story paradigm, as an extension of Italian opera buffa and French opéra comique. This is reflected in Mozart's Singspiele and Beethoven's one completed opera, Fidelio, considered the epitome of the German-language rescue opera. The author then examines Wagner's oeuvre, not only his ten mature masterpieces, but also three earlier operas and his unfinished pieces. The author also posits that the need for the ascent of the female rescuer in German-language opera was unconsciously tied into the desire of the people of the German-speaking territories for a homeland, and how the presence of this archetype subsided soon after a German nation was established in 1871.
To see the author's interview about the book on the Myth Lit webinar, click here: https://fatesandgraces.com/webinars/myth-lit-webinar-margaret-ann-mendenhall/
Margaret Ann Mendenhall argues that the German-language works of these three musical giants grew out of the rescue story paradigm, as an extension of Italian opera buffa and French opéra comique. This is reflected in Mozart's Singspiele and Beethoven's one completed opera, Fidelio, considered the epitome of the German-language rescue opera. The author then examines Wagner's oeuvre, not only his ten mature masterpieces, but also three earlier operas and his unfinished pieces. The author also posits that the need for the ascent of the female rescuer in German-language opera was unconsciously tied into the desire of the people of the German-speaking territories for a homeland, and how the presence of this archetype subsided soon after a German nation was established in 1871.
To see the author's interview about the book on the Myth Lit webinar, click here: https://fatesandgraces.com/webinars/myth-lit-webinar-margaret-ann-mendenhall/
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Yes, you can access Vox Eurydice by Margaret Ann Mendenhall in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- List of Figures
- Acknowledgments
- Chapter 1: Introduction
- Chapter 2: The Orpheus and Eurydice Myth and the Development of Opera
- Chapter 3: Mozart and German-Language Opera in the Early Classical Era
- Chapter 4: Beethoven, a Bridge between Classical and Romantic Opera
- Chapter 5: Richard Wagner, His Early Life, and Works
- Chapter 6: Wagner’s Mature Romantic Operas
- Chapter 7: Operas Composed during Wagner’s Transformation
- Chapter 8: Der Ring des Nibelungen and Parsifal
- Chapter 9: Summary
- References
- Index
- About the Author