- 577 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
In Alive in the Sound, Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities—spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians' status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them—as "natural" musicians—indelible properties of sound. As a contradiction of the rules of ownership, wherein enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery's seminal contests of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music's place in US and global culture.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Alive in the Sound by Ronald Radano in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Ethnomusicology. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Preface
- Acknowledgments
- Introduction · Black Labor, Value, and the Anomalies of Enlivened Sound
- First Metamorphosis. Property’s Properties of Reconstructive Possibility
- Second Metamorphosis. Free Labor and the Racial-Economic Transaction of Animated Form
- Third Metamorphosis. Contests of Ownership in Early National Markets
- Fourth Metamorphosis. Racialized Embodiments of Hypercapitalized Pop
- Afterword · Modernity’s Ghosts
- Notes
- Bibliography
- Index