
eBook - ePub
Desegregating Comics
Debating Blackness in the Golden Age of American Comics
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Winner of the Comics Studies Society Edited Book Prize
Shortlisted for the Best Academic / Scholarly Work Eisner Award
Honorable Mention for the Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies from the Popular Culture Association
Some comics fans view the industry's Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people.
Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
Shortlisted for the Best Academic / Scholarly Work Eisner Award
Honorable Mention for the Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies from the Popular Culture Association
Some comics fans view the industry's Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people.
Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
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Yes, you can access Desegregating Comics by Qiana Whitted in PDF and/or ePUB format, as well as other popular books in Literature & Comics & Graphic Novels Literary Criticism. We have over one million books available in our catalogue for you to explore.
Information
Publisher
Rutgers University PressYear
2023Print ISBN
9781978825017, 9781978825024eBook ISBN
9781978825031Table of contents
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- Introduction: “An Apt Cartoon”
- Part I: Iconographies of Race and Racism
- Part II: Formal Innovation and Aesthetic Range
- Part III: Comics Readership and Respectability Politics
- Part IV Disrupting Genre, Character, and Convention
- Acknowledgments
- Bibliography
- Notes on Contributors
- Index