About this book
The definitive biography of a transformational American artist and the city that shaped him
Barnett Newman (1905–1970), a founding member of the abstract expressionist movement, was a contemporary of such figures as Jackson Pollock, Willem de Kooning, Mark Rothko, and Clyfford Still. He left behind only 118 finished paintings, six sculptures, and 83 acknowledged drawings, yet is often regarded as the greatest painter to have emerged after the Second World War. Barnett Newman is the definitive biography of a charismatic New Yorker who defied the rules and created an art of the sublime.
This landmark book features original research conducted over decades, using scores of interviews, oral histories, and previously unseen correspondence to paint a richly textured portrait of a creative sage who became an exemplar of the artist-citizen. Born in New York to Polish Jewish immigrant parents, he grandly aspired to involve himself in every detail of the city’s life. He was a crusader for the civil service, ran against La Guardia for mayor, worked as a teacher, wrote poetry, criticism, and manifestos, produced political plays, and promoted other artists—all before painting a mature work of his own in his early forties. Newman began with none of the qualities once considered indispensable for a master artist, such as training, apprenticeship, or natural facility. But he possessed a galvanizing intellect and a conviction that aesthetic expression is an ecstatic declaration of existence and an assertion of human dignity.
Drawing on previously unpublished sources gleaned from full access to Newman’s archives, Amy Newman presents a portrait of a maverick whose works are among the most enduring of the twentieth century and whose influence continues to this day.
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Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Epigraphs
- Contents
- Introduction. “Barney”
- Part One. Genetic Moment: 1905–32
- Part Two. The Voice: 1933–47
- Part Three. Outcry: 1948–58
- Part Four. Vir Heroicus Sublimis: 1958–70
- Acknowledgments
- Notes
- Index
- Photo Credits